Suspended Times develops from the poem Eclisse (2023), in which a posthumous narrative voice becomes a meditation on the human condition. Displayed in printed form, the text is engraved across the walls, surfacing as ghostly appearances.

Suspended Times develops from the poem Eclisse (2023), in which a posthumous narrative voice becomes a meditation on the human condition. The text is displayed in printed form and engraved across the walls, where it surfaces as ghostly appearances.

The exhibition deals with loss, deterioration, and becoming, across both emotional and material landscapes. Moving through broken marble, copper pipes, paintings on concrete, droning sounds, fragments of poetry, and the scent of embers, the visitor arrives at a contemplative encounter with their own inner states. Unifying the works, the sub-frequency soundscape Untitled Sequence in D is a presence felt as much as heard, grounding the exhibition's darker themes in the present.

Accompanying the exhibition, the artist self-published a booklet also titled Eclisse (2023), bringing together the poem, images from the installation Natura Morta con Eclisse, and fragments of marble and granite from the same work. Printed in an edition of 40 copies, each contains one fragment of stone, one for each year of the artist's life at the time of the exhibition.

Natura Morta con Eclisse, detail, 2023